![]() ![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". ![]() These cookies ensure basic functionalities and security features of the website, anonymously. There are no dull moments here, only highlights.Necessary cookies are absolutely essential for the website to function properly. These are compact little numbers that squeeze together so many interesting compositional phrases-choruses, b-sections, bridges, etc.-that you’d be remiss not to pay attention. So does “Not In That Way,” which finds Smith singing to a spare guitar about unrequited love, and “Like I Can,” an adrenaline-charged number where he shoots down his competition (“He’ll never love you like I can, can, can”). A song like “Stay With Me”-with its gospel-inspired chord progression and goose-bump-inducing choir-sung backgrounds-clocks in at just under three minutes. ![]() But much like the AM radio-era classic soul that they aspire to mimic, Smith’s songs are short and to the point. These days, artists often overthink, oversing and overproduce their records incidentally, songs sound like they’ll never end. In the Lonely Hour also has brevity on its side. Sam SmithInTheLonelyHour is a member of Vimeo, the home for high quality videos and the people who love them. Peep his breathy falsetto on “Life Support”-that’s a metaphor for his partner-where you can almost visualize him in the recording booth, eyes closed, belting out notes. Sam SmithInTheLonelyHour is a member of Vimeo, the home for high quality videos and the people who love them. There’s a soulfulness to him that not everyone has. The arrangements are lush and expansive-“Good Thing” and “I’m Not the Only One,” are notably highlights-but the songs are brought to life by Smith’s clever vocal arpeggiations and phrasings. That isn’t to say Smith is a better singer, but on this LP his vocals are out in front of the mix, occasionally drenched in cathedral-like reverbs and delays, which gives the LP a dated sound. While critics often compare him to Adele, In the Lonely Hour sounds substantially more raw than anything she’s ever done. One of Smith’s biggest selling points is, again, his voice. ![]()
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December 2022
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